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Patrick Moutal Site - Indian Music - Musique indienne. Revised and augmented edition - Patrick Moutal Publisher. This book will prove quite useful to all musicians, scholars and students of music who need to consult main contemporary texts on raga- s descriptions, compositions and vistara- s. Searching for informations about a given raga in our indian music library is a time consuming affair !
In which work, which volume, at what page will we find the required description of raga darabari, or its themes or its melodic movements ? To further complicate matters, a number of these books don't even have a Table of Contents ! This bibliography will be a tremendous time- saver ! All raga- s, authors and their texts have been alphabetised to instantly give you all references on whatever you need to know on raga- s (descriptions, themes, melodic movements).
It thus covers 3 2. Published in India (Delhi, 1. This new edition revised and augmented, incorporates 4 extra texts. The excellent books of Jaisuklal Shah : Saranga Ke Prakara (1.
Bhairava Ke Prakara (1. Comparative Study of Hindustani Raga- s (Vol. I) and Hindustani Gata- s Compilation - Instrumental Themes in North Indian Classical Music.
Remark ! If we may rightfully speak of oral transmission regarding the learning of Indian classical music, it is however based on an absolutely essential written theoretical fund which is too often left aside, probably by ignorance. Besides general theoretical works which perpetuated throughout Hindustani raga- s history (musical intervals calculations, evolution of Indian musical scales, of instruments, organology etc.), there exists, in parallel, another theory based on raga- s grammar, its analytical discussion, its themes, its melodic movements, an essential theory for students and performing musicians alike. Although written, that theory is thoroughly oral by nature as it is a discussion on raga- s and practical as it writes- says what is to be sung, played. Indians, rightfully thinking that learning their music was undissociable from their language, wrote their most essential contemporary texts in Hindi. Even if non- Hindi speakers can't make sense of raga- s discussions, I invite all students to get right away the 6 volumes of Pandit Vishnu Narayan Bhatkhande's Kramika Pustaka Malika which, besides a top analytical discourse on raga- s, give us, for the taking, nearly 5 0. Hindustani repertoire ! Then, your personal music library may be enriched with the works of Pandit Vinayak Rao Patwardhan, Ramashraya Jha, S.
Ratanjankar, Raja Nawab Ali Khan, Omkarnath Thakur, Kumar Gandharva etc. These texts abound with musical treasures to whom knows how to make them exist. In Indian musical tradition, book is the ally, the undissociable complement of orality.
Cet ouvrage se r! Dans quel tome, de quel ouvrage, ?
Les excellents livres de Jaisuklal Shah : Saranga Ke Prakara (1. Bhairava Ke Prakara (1. I) et Hindustani Gata- s Compilation - Instrumental Themes in North Indian Classical Music.
Une remarque ! Si l'on parle avec raison de transmission orale en ce qui concerne l'apprentissage de la musique classique indienne, elle n'en repose pas moins sur un fonds th. Outre les ouvrages de th. C'est d'ailleurs cette derni. Les Indiens pensant avec raison que l'apprentissage de leur musique passait par la langue, les textes fondateurs contemporains ont, pour la plupart, . Ratanjankar, Raja Nawab Ali Khan, Omkarnath Thakur, Kumar Gandharva etc. Ces textes regorgent de tr.
Dans la tradition musicale indienne, le livre est l'alli! For those who don't read ! This book is an extensive Bibliography. No explanation, no compositions on Rags.
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